Storify tweets on victim accuser discourse in discussion of rape
feminist art movement
Tweets from Event Storying Rape
MIchelle Moravec
January 2012
Michelle Moravec
wall photo album 6 3weeksinJan
wall photo album 4 3weeksinJan
wall photo album 4 3weeksinJan
wall photo album 3 3weeksinJan
wall photo album 2 3weeksinJan
wall photo album 1 3weeksinJan
I Am Your Sister Collected and Unpublished Writings of Audre Lorde Transgressing Boundaries Studies in Black Politics & Black Communities
edited by RUDOLPH P. BYRDJOHNNETTA BETSCH COLEBEVERLY GUY-SHEFTALL
Sisterly (Inter)Actions: Audre Lorde and the Development of Afro-German Women's Communities
http://www.genderforum.org/issues/black-womens-writing-revisited/sisterly-interactions/
Audre Lorde first came to Germany in 1984 as a guest professor at the Free University of Berlin, where she taught a poetry workshop, a course on Black American women poets as well as a seminar entitled "The Poet as Outsider." Dagmar Schultz, who was teaching at the Free University at that time, had met the self-proclaimed "Black, Lesbian, Mother, Warrior, Poet"[1] at the 1980 World Conference on Women in Copenhagen, Denmark and had immediately invited Lorde to teach in Berlin (2000: 7). It took four years until Lorde finally arrived in Germany
Katharina Gerund
Gender Forum: An Internet Journal for Gender Studies
Issue #22, 2008
Cassandra Langer's Romaine Brooks site
ALL OR NOTHING: Romaine Brooks
deals with the artist as a hero of her own making. When she died in 1970 Romaine Brooks had been neglected for decades. It was only with the 1972 exhibition organized by the then National Collection of Fine Arts (Smithsonian Institution, Washington, D.C.) that a wide public once more saw her works.
Brooks provided art historical lineage as well as inspiration and model for 1970s lesbian feminist artists.
Cassandra Langer